Showing posts with label Ennies. Show all posts
Showing posts with label Ennies. Show all posts

16 March 2011

NonDom - The Movie

Laura set us a great challenge (using our non-dominant hand!).  So this whole tile, from start to finish was done with my left hand.

"NonDom" (click on images to enlarge)
Familiar tools.


Unfamiliar tool.

Due to nerve damage, my left thumb is in a splint...
Yep, great timing, Laura
This is what the string looked like at the beginning.

(Click on image to enlarge.)
And, rather than writing one of my usual long blog posts, I decided to show you what happened this week.  So, this is me, tangling left handed:


To me, this just goes to show that, as Rick and Maria say,  

"Anything is possible... one stroke at a time."™

For some truly inspirational ambidextrous art, most calligraphers have to go no further than our bookshelves, to find one of Arthur Baker's books:


And one of his beautiful bi-directional alphabets!


Footnote: I'm Celebrating three months of blogging!


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Coming up this weekend: Artwork from some of our Tuesday Tanglers!

24 February 2011

"Finny's Florets" by Liz

Liz Selkirk, a new member of our family of Tasmanian Tanglers, attended an "Introduction to Zentangle" class (we call them 'playshops') just over 10 days ago.  Her first Zentangle, created at that class, is included here for your enjoyment. Isn't it beautiful!?

© Liz Selkirk, February 2011
That evening, after class, Liz was already drawing the night away – completely captivated by tangling.  She has already produced (in under two weeks!) many lovely Zentangles and ZIA.*  Liz has even invented a new tangle of her own (yes, already!). And – a real treat – she has given me permission to unveil it here on Dreamscribe Designs.  So, without further ado...

In this tiny piece of ZIA (approx 3 x 6 cm, or roughly 1¼ x 2⅜ inches) you can see the first appearance of Liz's new tangle (top right corner!) –  

Finny's Florets

Here is a close-up view from that same piece
Finny's Florets is in the top right corner. (Click to enlarge.)

Finny's Florets, step-by-step

Drawn by Liz Selkirk. (Click on image to enlarge.)

An example of Finny's Florets — in one of Liz's Zentangles.
Here are some other examples of Liz's use of this tangle in Zentangles and ZIA. Check out the beautiful, tiny monograms she created for the covers of photo albums (in which to store Zentangle tiles, of course!).  What a wonderful start to tangling – her very own tangle. 


Sandra Strait (who had a sneak preview when I was planning this post) says it best:  

"...it’s a killer combination, pleasing to the eye, and I know people will love it.  If [Liz] does up the steps, I hope she’ll post it in Freehand Doodle patterns!"  

...and we will, Sandra!




Congratulations, Liz!

You're off to a great start
in the wonderful world of
tangles.


I know Liz would love to receive
comments and feedback 
about Finny's Florets
 from the Zentangle community. 

So, please post your comments,
and I will make sure they
are all passed on to Liz.

Thank you!


(Click on any of the images for a larger view.)
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[My thanks to Sandra, for your invaluable assistance in publishing Liz's new tangle.]

*ZIA = Zentangle inspired art

02 February 2011

Just Breathe...


A little back story... 
In April 2010, I fell in love with Zentangle. It was, indeed 'love at first sight' for me... exploring the world of tangles: because of the infinite possibilities; because it was truly about what is Reality in any given Moment; and because it narrowed my focus down to a 3.5" square of reality. 

Meditation – being still, grounded, centred, and (imagine me using Nigella Lawson's voice to say this last bit), "deep, deep contentment." Zentangle improved my focus, concentration, mindfulness, and – an added bonus – all my other artistic endeavours benefited from time spent tangling.

At times I have found I'm almost watching my pen to see what will emerge from my creative subconscious. Not directing the design but, one pen stroke at a time, waiting to see what happens... and then developing that idea (a great way to avoid rules!). This is something I learned many years back, when I first started studying Chinese Brush painting. That art form never really clicked for me until I just 'allowed' the brush to make the marks it was designed to make and stopped trying so hard to produce a specific effect.

I haven't felt, these last ten months, any hint of hard slog practice with Zentangle – only Play! And the more I play, the more I want to. I breathe, relax, let go and I allow the Zentangle or ZIA to happen – not stifling it with any rules that it 'ought' to follow, or preconceived ideas of what it 'should' look like when complete. I believe that, once an idea (artistic, or in any walk of Life) becomes a dogma it ceases to grow. So I push at the boundaries constantly. 

Back to the topic of breathing... these last few months I have also made new discoveries about the way I draw. For example, my pen will draw more flowing, 'dancing' lines on an exhaled breath (it's true!) than on an inhaled breath. So, by becoming aware of my breathing as I create each stroke, the way I draw has been transformed. Here is the Zentangle (traditional format) that I created for the "Breathe" Challenge. 

(Click on image to enlarge.)
Being reminded (once again) to observe my breath, I found that I was creating a very playful design (some elements of which weren't really 'proper' tangles!). Once I'd finished, I finally coloured the Laced blue, as it ran through, across, and around the tile. This brought all the various elements together, to create a linked harmony to the finished piece – and I (yet again) changed the orientation of my tile.


A little more on my philosophical wanderings through Zentangle land?
I've also studied what I watch when I am drawing. For example, if I'm drawing a line parallel to another, I look at the line I'm following (not the line my pen is making). What else do I watch? When I was speaking with a wonderful Chinese calligrapher (a Master of his art), William Lai, he asked me, "What is the most important thing about a beautiful vase?" The answer seemed obvious to me, so I answered, "The empty space within." He smiled his unique and twinkly, wise smile and I knew I'd said the right thing (I was rewarded with a Chinese candy!). So, when making pen strokes, I'm nearly always watching the white space I am drawing 'around'. This, of course affects not only the way that I draw, but also the way I think about the way I draw. (How very existential that is!)

As I contemplated this week's challenge, my mind kept coming back to the chorus of this song by Anna Nalick, "Just Breathe." Of course, while actually tangling, the song in my head was replaced with beautiful, tranquil, silence (tangling being one of the few activities capable of stilling my mind!).

Just Breathe

Because I have received a great deal of feedback about my inclusion in this blog of all the tangles I use, I have included a digitally edited version of this week's Zentangle, naming each of the tangles (if I have any of them incorrectly labelled, CZTs, please let me know!). They are: Laced, Verdigogh, Printemps, Jonqal, Ennies, Pokeleaf, Pokeroot, Fescu, Betweed, W2, Huggins, Cadent (those last three used the same grid, and flowed from one to the next).

(Click on image to enlarge.)
Now that I've bent your ear... I'll go back to my drawing board. For, as much as I love keeping up with what others are creating and sharing inspiration and encouragement (the reason I'm on the Internet so often), I am not able to resist the siren call of my first love for very long — tangling with paper and pen.